Winnie Byanyima was the real hero of the Cost of Inequality panel in Davos

Your moment

For the past few days, a video from the Cost of Inequality panel at the World Economic Forum in Davos has been making some ripples on the internet. What made those ripples is Dutch historian Rutger Bregman reproaching Davos attendees about how amongst all the talk of justice, equality, participation, transparency and social change no one was mentioning the biggest and the most impactful solution: taxing the rich. 

His speech is poignant and includes extremely quotable, tweetable, and headline-friendly sentences such as: “It feels like I’m at a firefighters conference and no one’s allowed to speak about water” or “Taxes, taxes, taxes. All the rest is bullshit in my opinion”. And these sentences have been all over my feed(s) since Monday. Everyone from the Guardian to the Washington Post reported Bergman’s condemnation, painting him as the Robin Hood of our generation. Hell, Vox actually did call him a ‘folk hero’.

I hundred percent agree with Bregman: let’s e̶a̶t̶ tax the rich and hold them responsible for the people who bear the expense of their fortunes. Still, the way the media reported the video and the panel in general leaves a bitter taste in my mouth.

If you watch the video until the very end, you’ll see Winnie Byanyima replying to Ken Goldman, former CFO of Yahoo, and toppling his bigoted white liberalism in the most eloquent manner. Her words are sharp, true and unrelenting; I want to tweet them, shout them from a rooftop and get them tattooed on my body. Yet there is little to no mention of Byanyima in the headlines, news articles nor opinion pieces. All the buzz is about Bregman and all credit goes to him.

To sum up the exchange: Goldman berates the panellists for talking about taxes too much. He claims that currently, the world is experiencing record-low rates of unemployment thanks to the big conglomerates they are attacking. He asks the panellists what can be done to solve the inequality problem besides taxing the rich and powerful and mumbles about creating jobs.

Translation: I really like money and don’t wanna give it up, what can do I to seem like a good person but keep making money with the blood of the people I’m pretending to help.

Byanyima replies:
“Globalization is bringing jobs. The quality of the jobs matters! These are not jobs of dignity. In many countries, workers no longer have a voice. They are not allowed to unionize, they are not allowed to negotiate for salaries. We’re talking about jobs, but jobs that bring dignity.” “Don’t tell me about low levels of unemployment. You are counting the wrong things, you’re not counting the dignity of people. You’re counting exploited people.”

When you watch the panel in full, it is full of eloquent takedowns and extremely quotable, tweetable and headline-friendly soundbites uttered by all panellists: Alicia Bárcena Ibarra, Executive Secretary of the UN Economic Commission for Latin America and the Caribbean; Jane Goodall, primatologist and founder of the Jane Goodall Institute; historian Rutger Bregman; Oxfam International Executive Director Winnie Byanyima; and Shamina Singh, president of the Mastercard Center for Inclusive Growth.

Yet, in most of the reporting done about the panel, it is Bregman who is mentioned on the headline and in 90 percent of the piece.

At one point, in his lecture lightly concealed as a question, Ken Goldman exclaims: “This is a very one-sided panel... I can’t believe how we picked this panel” in the condescending tone that’s only reserved for rich white men. That might be the one single thing in the world Goldman and I agree on. I also think the panel is quite unbelievable; four women, two of whom are women of colour, and Bergman as the only (white) man (bar the moderator). Such a ratio isn’t a luxury women, especially women of colour, are usually afforded in panels.

Still, what the media chooses to cover is what Bregman says. One news outlet, at the end of a full page covered in Bregman’s quotes, adds: “[Ken Goldman] was told just because people were in jobs did not mean they were not in poverty. [sic]” Who was he told this by? Byanyima. Yet, the reporter doesn’t mention her name once.

The media erasing women of colour and attributing their work to white men and women is not an exceptional phenomenon. It is an everyday occurrence. Take the #MeToo movement. When sexual harassment accusations against Harvey Weinstein took the media by storm, the hashtag and the movement was attributed to famous white women, like Alyssa Milano and Rose Mcgowan, when in reality the campaign was founded by black civil rights activist Tarana Burke ten years prior.

Not acknowledging the social justice work people of colour do and attributing their work to others is a form of oppression. It needs to stop and the media needs to be held accountable.

In The Guardian piece, Byanyima gets a brief mention at the end of the article as another panellist who ‘took up the fight’ when Ken Goldman addressed the panel.

Byanyima didn’t ‘take up the fight’, she has been fighting the fight for decades. She had started fighting the fight before Bregman was even born. We need to start giving women of colour the recognition they deserve in their work of making the world a better place, a liveable place for all.

Here’s my headline suggestion for that video:
Winnie Byanyima, Ugandan aeronautical engineer, politician, and diplomat, tells rich white man to shove his jobs up his money vault...

Or something like that.

More Stories

  • 'A Message From The Future' is a new short science fiction movie narrated by AOC

    Solutions

    The Intercept has just released "A Message From the Future," a short science fiction movie narrated by Alexandria Ocasio-Cortez and drawn by Molly Crabapple, describing the coming "Green New Deal Decade," when Americans pulled together and found prosperity, stability, solidarity and full employment through a massive, nationwide effort to refit the country to be resilient to climate shocks and stem the tide of global climate change.

    It's an astonishingly moving and beautiful piece, and deploys a tactic that has been surprisingly effective at mobilising large groups of people: creating a retrospective describing the successful project to inspire people to make it a success. Famously, this is the tactic that Jeff Bezos insists on at Amazon for the launch of new internal projects: ambitious internal entrepreneurs must submit a memo describing the project as a fait accompli, and if the description is compelling and exciting enough, they get the resources to make it happen.

    But it's not just Amazon: as anthropologist Gabriella Coleman describes in Hacker, Hoaxer, Whistleblower, Spy, her seminal 2014 study of Anonymous, this is how Anon ops get started: an individual Anon makes a video announcing victory in some op that hasn't taken place yet, and if enough other anons are inspired by it to make it happen, then it happens.

    In her article accompanying the video, Naomi Klein describes the audacity of other projects on this scale, like FDR's New Deal, and how much skepticism they were met with at their outset -- and how, as the vision caught on, it spread like wildfire through the population, so that something that was once impossible became inevitable.

    "One reason that elite attacks never succeeded in turning the public against the New Deal had to do with the incalculable power of art, which was embedded in virtually every aspect of the era’s transformations. The New Dealers saw artists as workers like any other: people who, in the depths of the Depression, deserved direct government assistance to practice their trade. As Works Progress Administration administrator Harry Hopkins famously put it, 'Hell, they’ve got to eat just like other people.'

    Through programs including the Federal Art Project, Federal Music Project, Federal Theater Project, and Federal Writers Project (all part of the WPA), as well as the Treasury Section of Painting and Sculpture and several others, tens of thousands of painters, musicians, photographers, playwrights, filmmakers, actors, authors, and a huge array of craftspeople found meaningful work, with unprecedented support going to African-American and Indigenous artists.

    The result was a renaissance of creativity and a staggering body of work that transformed the visual landscape of the country. The Federal Art Project alone produced nearly 475,000 works of art, including over 2,000 posters, 2,500 murals, and 100,000 canvasses for public spaces. Its stable of artists included Jackson Pollock and Willem de Kooning. Authors who participated in the Federal Writers Program included Zora Neale Hurston, Ralph Ellison, and John Steinbeck." (A Message From the Future With Alexandria Ocasio-Cortez

    This article was originally published on BoingBoing under a Creative Commons license. It's written by Cory Doctorow. You can read the original article here.

    This story features:
    Read more
  • Is Instagram's upcoming donation sticker just a way to lure credit card numbers?

    Obstacles

    Last February, Facebook announced that it will release a donation sticker feature on Instagram, giving its users the possibility to support charitable organizations through Instagram Stories.

    The move is part of Facebook conglomerate’s increasing interest in philanthropy. If you’re on Facebook, you’ve probably already come across a fundraiser from a friend, asking you to donate to a charitable cause. Or maybe, you set one up yourself for your birthday. This Charitable Giving feature on Facebook raised over $ 1 billion as of November 2018.

    It seems that Zuckerberg’s plan is to transform his social media into the go-to virtual place for charitable donations. The endeavor appears nothing but noble and laudable.

    On Facebook, donors enjoy a smooth experience that allows them to donate to their favorite organizations in a matter of seconds and to share their philanthropic efforts with friends and followers. Moreover, Facebook does all of this for free, having abolished its transaction fee in November 2017. There are no reasons to suspect that Instagram’s upcoming donation sticker will be anything but another sleek and convenient feature of the Facebook family.

    However, over the years, we have learned that when Facebook says “it’s free”, it might mean you’re paying in currencies different than a direct monetary transaction.

    Again, there are no reasons to suspect that it will be any different when it comes to Instagram’s new donation sticker.

    To explain my point, let’s look at the bigger picture and consider the general direction Instagram is going towards. Last March, the social network rolled out a new feature called “Checkout”, which enables users to buy directly from select brands on the platform.

    Users can shop for items on their favorite brands’ Instagram profiles and head to an in-app payment screen to order them, paying with the credit card information they have stored on the platform.

    The aim is evidently to transform Instagram into an e-commerce app, adding another revenue stream next to the ad dollars.

    Soon after Facebook announced the “Checkout on Instagram” feature, Deutsche Bank wrote a note to investors highlighting how the move could enable an “incremental $10 billion of revenue in 2021”.

    Wondering if the average user would be willing to hand payment data to Instagram, the Deutsche bank memo fconcluded that many people already use Facebook for charitable donations through the app’s giving tools, and might be willing to extend that to shopping.

    From this perspective, the upcoming Instagram donation sticker would certainly facilitate the acquisition of users’ credit card information. After all, you’re much more inclined to give up your payment data if a trusted friend asks you to support a human rights organization rather than if you have to buy the umpteenth pair of sneakers from a large, anonymous corporation. But, of course, once your credit card number is stored in the app that alluring pair of sneakers becomes literally just a click away...

    In a way, it seems that Facebook will use philanthropy as a lubricant oil to ease its transition from a social media platform to an e-commerce one.

    I’m not saying that this is the only reason Instagram is adding a donation sticker to its deck (they also just like to monopolize your digital life) or that the donations made through it will be tainted. This is just an invitation to reflect on the way social media are reshaping the world of philanthropy and whether we like it or not. Full disclosure: one of the reasons I've been thinking about this is that also here at Kinder we're trying to build some digital tools to make donations to charities more convenient and rewarding.

    Obviously, we don't have Facebook's firepower so I hope that Facebook's donation tools will continue raising generous amounts of money. It's just that they're also part of the company's bigger expansion plans. Since philanthropy really is a noble undertaking, it would just be better if the donation tools were clearly separated from Facebook’s more commercial functionalities.

    But Instagram’s donation sticker has yet to be implemented on the platform, so there’s still plenty of time to fully remedy the situation.

    Credit header image: Wikipedia

    This story features:
    Read more
  • For the first time, a woman will lead a public university in Mozambique

    Solutions

    In March 2019, Mozambican professor Emília Nhalevilo took office as dean of the recently-created Púnguè University, becoming thus the first women to ever lead a public university in the African country.

    She was nominated by President Filipe Nyusi, but the decision about the recently-created universities was announced by the Council of Ministers on January 29. Nhalevilo will remain in office, in principle, for a period of four years.

    Born in Nampula, the most populous province in Mozambique, Nhalevilo holds a doctorate and master's degree in education from the University of Perth, Australia, and a bachelor's degree in science education from Pedagogical University (UP).

    From 2005 to 2007, she worked as Professor at Curtin University of Technology, in Australia. In 2008, Nhalevilo became the head of the chemistry department at UP, and then took office as deputy director of the Center for Mozambican Studies and Ethnoscience, a research center at the same institution.

    In 2017, she was a fellow with the Fulbright Visiting Scholar Program at the Steinhardt School of Culture, Education, and Human Development of New York University, in the United States.

    Nhalevilo was the vice-dean for research and extension in the UP since 2018.

    As dean of a public university, her current position is equivalent to that of a minister in Mozambique.

    Eliana Nzualo, an activist and feminist blogger, says Nhalevilo's appointment is a historic moment:

    Nhalevilo is the first woman to lead a Public University in Mozambique. Congratulations to the Magnificent Rector! For more women in the Universities, For more women in the lead!

    In Mozambique, women still face challenges in accessing leadership and management positions. But there have been improvements: in the current parliament, for example, both the president of the assembly and the heads of the two largest political caucus are women.

    But gender inequality still prevails in the southern African country.

    The UNDP's 2016 Africa Human Development Report, whose title is “Accelerating Gender Equality and Women's Empowerment in Africa,” revealed that Mozambican women and girls continue to suffer from inequalities, such as poor access to justice, poor access to school and health care, and repeated acts of violence.

    In 2018, there were 25,356 cases of domestic violence in Mozambique, of which 12,500 were against women and 9,000 against children.

    Mozambique ranks 10th in the world for child marriages, according to a UNICEF report from 2015. The organization defines “child marriage” as a marital union in which at least one person is under the age of 18.

    In mid-2018, pilot Admira António became the first woman to ever captain a flight in Mozambique, while in December 2018, an all-female flight crew took to the skies for the first time.

    In 2014, when the Police of the Republic of Mozambique turned 39, Arsenia Massingue was presented as the first woman general in the corporation.

    This article is republished from Global Voices. It's written by Alexandre Nhampossa and translated by Dércio Tsandzana. You can read the original article here.

    This story features:
    Read more